The pseudo-feminist shojo lead

The pseudo-feminist shojo lead

If there’s one gripe that fans have with shojo manga, it’s the pervasiveness of weak female leads. Most readers are turned off by female protagonists who are romance-obsessed, average in looks and intelligence, and who have a tendency to be clumsy or cry a lot. In recent years, many shojo romance manga have made attempts to correct the trend of boy-crazy, passive heroines by replacing them with more assertive, independent females who have largely been embraced by the fandom. Characters such as Ouran High School Host Club‘s Haruhi and Maid-sama‘s Misaki are appreciated because of their no-nonsense attitudes, intelligence, and most of all, the fact that they are not interested in romance whatsoever. Yet, I seem to feel differently about these characters than most fans do. While characters like Haruhi and Misaki, along with Tonari no Kaibutsu-kun‘s Shizuku are considered strong female leads, they are actually more bothersome to me than their boy-crazy counterparts. One of the most common traits about this type of character is that they are often emotionally detached. Thus, not only is this the reason they’ve never had romantic feelings, but it also results in these female characters ‘going with the flow’ of their surroundings because they don’t care either way. Thus, their indifference leads them to be ‘swept off their feet’ by the guy who pursues them, rendering them passive despite their supposed ‘strength.’

Of course, boy-crazy shojo leads often end up being swept off their feet too – but since they’re interested in love and getting a boyfriend, it’s more problematic in my opinion when it happens to a ‘pseudo-feminist’ shojo lead because it’s practically against her will. But there are other problematic aspects of this type of character that disturb me even more. While so many people find the typical no-nonsense, ‘strong’ female character to be a refreshing change, I actually find these characters to be boring. I’ve written before about my problems with Haruhi’s character – that her blasé attitude toward the people and events around her made me indifferent to her character, and thus I ended up more interested in the male characters in the series just as I would have if she were a more stereotypical plain shojo lead. And while I wouldn’t call Maid-sama‘s Misaki ‘boring,’ she still somewhat annoys me because of the way the series stuffs the fact that Misaki is perfect at everything down the audience’s throats, resulting in Misaki’s strength feeling forced. Her misandry also makes her come across as ‘bitchy,’ which is bothersome because of media’s tendency to turn strong women into bitches.

And then there’s Tonari no Kaibutsu-kun‘s Shizuku. Shizuku’s probably the most extreme example of the independent shojo lead – she is only focused on studying, has no close friends, and has a brutually honest tongue. Many fans like Shizuku because she voices her honest opinions about the people around her. But something about Shizuku feels extremely robotic to me. While many fans admire the fact that Shizuku places so much importance in her schoolwork, it’s troublesome to me that when female characters are smart they are often social outcasts, as though it’s impossible for smart women to make friends on their own. Even after Shizuku tells Haru she loves him, I feel little of her emotional investment in Haru or her relationship with him. When she says that Haru has changed her world, I’m left unconvinced because Haru hadn’t been in Shizuku’s life for very long, and he had done little but be a nuisance towards her. I almost felt like she only said this line because the author ‘programmed’ her to; rather than out of genuine character development. And while fans admire Shizuku for standing up to Haru (such as when Haru tells her not to see his brother anymore and she tells him no), her motivations for doing so are left unclear, making her character feel undeveloped and unrealistic in my opinion. Thus, Shizuku’s lack of personal investment in anything leaves me uninterested in becoming invested in her.

Yet there are other harsh shojo leads in the vein of Shizuku who feel genuine, and have grabbed my attention. The best example is Maria from A Devil and Her Love Song, a beautiful and intelligent transfer student who has a tendency to call people out on the kind façades they put on. While Maria says things that are truly cutting (the first thing she says to her new classmates is that she got kicked out of her previous school for beating up a teacher), she feels like a fully-dimensional character because there are tinges of sorrow to her. No matter how indifferent or cruel Maria may appear to be on the surface, it’s made clear that she wants to have friends and dislikes herself. It’s clear that she is trying to become a better person by learning to love even the people who scorn her, which has endeared her to me. More than focusing on romance, Maria’s personal struggles are what’s most important so far in A Devil and Her Love Song, which sets her apart from Shizuku. Rather than treating her bluntness as a sign of strength, Maria’s callousness is both her greatest blessing and curse, which allows her to feel more well-rounded. And while I know that there will be many fans who disagree with me for arguing that ‘no-nonsense’ characters like Haruhi and Shizuku are dull or passive, I think it’s important to question why a female character who is isn’t interested in romance or who is ‘aggressive’ should automatically be labeled strong.

The golden shojo rule

The golden shojo rule

Peach Girl: Kairi steals Momo’s first kiss.

For most fans of shojo manga, it becomes obvious that there is a golden rule:  the guy the main female character has her first kiss with is the person she’ll end up with. Whether the girl’s first kiss is accidental, forced, or (in extremely rare circumstances) consensual, eventually the heroine will start to warm up to the person who stole her lips, oftentimes because of the kiss. The fact that the main female character must always end up with the guy who stole her lips’ virginity is interesting because it shows how big of a deal first kisses are for teenage girls – not just in shojo manga, but in real-life Japanese society. Some fans may argue that because so many shojo series pair the first people to kiss each other, it makes it obvious who will end up together, which is particularly bothersome in series that center on a love triangle. Series such as Boys Over Flowers, Marmalade Boy, and Sand Chronicles all abide by the ‘first kiss’ rule.  This rule even holds true in series where the main female character originally has feelings for someone other than the person she shares her first kiss with. For example, in Peach Girl, Momo has had a crush on Toji since junior high and worries what he will think of her when rumors that she has kissed playboy Kairi start to spread. When she confronts Kairi about the rumors, Kairi decides to make the rumor true by stealing her first kiss, which she repays him for by kicking him in the groin. But over the course of the series when outside influences (mainly Momo’s frenemy Sae) tear apart her relationship with Toji, Kairi becomes Momo’s shoulder to cry on, and at the end of the series she chooses him. Yet while I’ve found that the majority of the time the first kiss rule is upheld, this rule, like all others, was meant to be broken.

In the opening scene of Red River, Yuri gets kissed by a boy she has a crush on named Satoshi, but soon after strange things start happening to her whenever she’s around water. While in the bath, Yuri gets pulled into Anatolia during the year 1500 B.C, where she becomes the concubine to Prince Kail Mursili. Yuri tries not to allow herself to fall for Kail because she knows she’s from a different world, but eventually she is able to reconcile her feelings for him, and Satoshi is long forgotten. Another series that seems to subvert the golden shojo rule is Tail of the Moon. Although I haven’t finished Tail of the Moon yet, at the beginning of the series clumsy ninja-in-training Usagi is told by her grandfather that she will marry Hanzo, a handsome ninja from another tribe. This sparks jealousy from Usagi’s childhood friend Goemon, who was told from the time Usagi was born that he would one day marry her, and it doesn’t take long for him to steal a kiss from her. However, it’s very obvious over the course of the series that Usagi’s heart is set on Hanzo, and he begins to be charmed by her cheerfulness, which makes it seem pretty clear that Goemon and Usagi won’t end up together.

Dengeki Daisy: creepy Akira steals Teru’s first kiss. Let’s just hope she doesn’t end up with him.

The first kiss rule is also played with in interesting ways. Early on in Ouran High School Host Club, the host club attend a party where a lucky girl will be named queen of the dance and receive a kiss on the cheek from a member of the host club. After helping a female student named Ayano become closer to her crush, the host club name her queen of the party, and she chooses Haruhi to kiss her. However, Hikaru and Kaoru’s schemes cause Haruhi to slip and she accidentally kisses Ayano on the lips, thus leading to her first kiss being with a girl! Dengeki Daisy has an interesting case – because whether it adheres to the golden shojo rule or not all depends on a person’s definition of a ‘kiss.’ In volume six of the manga, Teru fights off an enemy who is after a cell phone that connects her to the mysterious hacker Daisy. Kurosaki (who is Daisy himself) rescues Teru from drowning and is forced to give her CPR. However, in volume seven Teru comes across the creepy villain Akira, who seems to take pleasure in making Teru uncomfortable. He steals Teru’s first kiss, which makes Kurosaki more upset than Teru herself. When Teru seeks Daisy’s comfort, he is unable to hide his attraction to Teru and tells her that finding out she was kissed by someone else makes him want to go give her a kiss that would make her forget about Akira’s “clumsy attempt at kissing in an instant.”  So while Akira may have officially been Teru’s first kiss, technically Kurosaki did get to have a taste of Teru’s lips before Akira, thus bringing an intriguing twist on the golden rule. Of course, there are other shojo series that are more realistic and focus on older characters such as Nana, and thus they inevitably avoid many shojo clichés including the golden shojo rule. Can you guys think of any other series where the first kiss rule was subverted?

Queerness in shojo manga: crossdressing

Queerness in shojo manga: crossdressing

When I started thinking about the presence of queer characters in shojo anime and manga, the theme of crossdressing immediately came to mind. Crossdressing, homosexuality, and the desire of males to be ‘feminine’ are themes that are heavily present within shojo manga, and it is interesting to see how these themes connect with one another. Much like my last post on the representation of queerness in shojo manga, this time I will once again be focusing specifically on male characters. While there are plenty of female crossdressers in shojo manga, unlike the male crossdresser there is (usually) no doubt that the female crossdresser is straight. For example, in Princess Knight Sapphire makes it clear that she dislikes being forced to dress up as a male, and wishes she could be more feminine. And in Hana-Kimi, the reason Mizuki pretends to be a male is so she can be closer to a boy she admires, and by the end of the series when her gender has been revealed, she grows her hair out. However, males who crossdress as females in manga almost always not only are in love with other male characters but wish to be female themselves. This isn’t shocking considering the depictions of gay men in most Japanese media. Homosexual men in Japan are usually called okama, which is a troublesome term because it is also often used to describe male crossdressers. Gay males in Japanese media usually are shown to be, if not exceedingly feminine, then they are outright crossdressers. Thus, in many ways homosexuality and crossdressing have been made interchangable in Japanese language and culture.

Fushigi Yugi – Nuriko

Characters who like to crossdress are often depicted as having psychological or emotional problems, and these problems are  sometimes revealed to be the cause of the character’s desire to crossdress. For example, Ritsu Sohma in Fruits Basket suffers from low-self esteem and constantly apologizes for everything he does, which is why he decides use his dressing as a woman as an outlet to escape the pressure to meet people’s expectations. Yet near the end of the manga when Ritsu begins feeling better about himself, he decides to stop dressing as a woman. What this implies, however, is that only people with emotional scars feel the need to crossdress, and that once those scars have been cured so too will the desire to dress as a woman. There is a sense of transience given to the crossdresser – that his habits are only temporary and eventually will stop (as they should). Similarly, in Fushigi Yugi, Nuriko begins dressing as a woman after his younger sister died so he can live on in her place. However, as Nuriko becomes closer to Miaka, he is able to overcome his grief at his sister’s death and eventually decides to cut off his hair and quit the “gay act.” But what’s even more troublesome in Nuriko’s case is the entanglement of gender identity and sexuality. Nuriko’s desire to ‘be a woman’ has nothing to do with his sexual desire, yet the series treats the two as though they are the same thing because it is revealed that he is in love with Hotohori, the king of Konan. This is bothersome because Nuriko’s attraction to males is written as a natural part of his transition into being a woman, rather than it being shown that Nuriko would have been gay regardless of how he dresses. Thus, the stereotype that crossdressers are also gay (and that these two identities are interchangable) is reinforced through Nuriko’s character. 

I’d also like to consider how crossdressing characters in shojo manga categorize and label themselves in terms of gender identity and sexuality. Tamahome and the other Suzaku warriors often tease Nuriko about his crossdressing, and they typically call him an okama. At one point, Nuriko gets annoyed and asks to be called a ‘new-half,’ which is a male-to-female transsexual. There is a certain ambivalence to Nuriko’s character, because while he adopts a female name as the king’s consort (Korin, his late sister’s name), he acknowledges that he is truly male when it comes to his role as a Suzaku celestial warrior. However, in contrast, in Love*Com there is very little sense of ambiguity when it comes to how Seiko sees herself. When Seiko is first introduced, she falls for Otani and immediately gives a big kiss on the lips. Otani is flattered that a girl as adorable and kind as Seiko would like him, yet when she tries to make a move on him in their school’s infirmary Otani discovers Seiko is actually a male (named Seishiro) when she removes her shirt. Otani turns her down (while saying that he still thinks she’s a cool person who is more feminine than Risa, Love*Com‘s female protagonist), and Seiko isn’t phased for long by her rejection. As the series progresses, Seiko becomes ‘one of the girls’ Risa talks to about her love troubles, and it is easy to forget that she is biologically a male. When her male identity does become a problem for Seiko, it’s only because her voice suddenly becomes deeper and doesn’t match her appearance. Seiko decides to stop dressing as a girl, but Risa encourages her not to let her voice change alter who she really is. It doesn’t take long for Seiko to return to crossdressing, especially after she realizes that her voice problems were because of a cold and weren’t permanent. Rather than treating the crossdresser as a ‘temporary’ identity, Love*Com treats Seiko’s female identity as though it’s simply natural, and instead of discouraging her transgenderism, Seiko’s friends support her. It is because Seiko is so comfortable with her gender that I can’t help but see her as she sees herself: as a fun-loving, sweet girl – and that’s why I always refer to Seiko as a girl. I can appreciate the range in how Nuriko and Seiko view their genders respectively, however, because this helps emphasize that gender isn’t fixed and shows that there are multiple identities that are possible beyond just the male/female dichotemy.

But not all shojo anime and manga treat crossdressing and homosexuality as though they are the same thing. In Ouran High School Host Club, Haruhi’s father Ranka works at a bar full of employees who are transvestites. Even though he’s getting paid to dress as a woman, Ranka makes it clear that he enjoys dressing as a woman and did so even before he married Haruhi’s mother. Ranka also affirms that he isn’t gay and that the only person he ever really loved was Haruhi’s mother, who accepted the fact that he liked to dress as a woman. Thus, Ouran High School Host Club shows that there is a difference between how one dresses and his or her sexuality. However, Ranka still shares much in common with other, more stereotypical male crossdressing characters. Ranka is a fun character who is loved by many fans of the series, because he’s quirky and not-so-nice to Tamaki. Seiko is sweet and positive, while Nuriko is fiesty and often sarcastic (not to mention, he’s my favorite character in Fushigi Yugi). Male crossdressers may be stereotyped, but they are usually engaging and funny characters, and we can’t help but laugh with them.

How to get your guy, shojo-style

How to get your guy, shojo-style

Many shojo anime and manga feature heartrending love stories, some of which are painfully realistic and others that put any Fabio-clad romance novel to shame. I have compiled a list of great romantic advice from some of the most popular shojo series, which will help you capture the heart of the man of your dreams. With a lot of determination and a little luck, these tips should help you get any man you desire!

  • Blackmail him: Shojo heroines often have to contend with guys who are way too cold and smart for their own good, so if the girl wants to bring him down and make him realize she’s his perfect match, she’s gonna have to fight dirty. Just look at Sana’s experience in Kodocha – when bad boy Akito started causing trouble in their sixth grade classroom, Sana decided to take his ‘monkey reign’ down by threatening him with a picture of him with his pants down. It didn’t take very long for Akito to fall for her (though that whole putting his family back together thing may have helped). Kotoko in Itazura na Kiss also used this tactic in volume two, when her heartless crush Naoki made fun of her stupidity at their class’ graduation party, and she got revenge by showing off baby pictures of him dressed up as a girl. Oh sure, Naoki yelled at her for doing it, but his next reaction was to kiss her, so not only will blackmail get you your desired results – you’ll get them fast!  And for any guys looking to shojo manga for advice to help improve your love life, blackmail works just as well when guys use it on their girls, such as in His and Her Circumstances when Arima got Yukino to do all of his schoolwork when he found out that her ‘perfect student’ image was an act, while in the first volume of Hot Gimmick, Ryoki manipulates Hatsumi into becoming his slave when he sees her buying a pregnancy test for her younger sister.
  • Stalk him:Don’t believe people when they say ‘absence makes the heart grow fonder’ – in a battle as complex as love, you have to be at the front line at all times. At the beginning of Peach Girl, Momo mentions that she chose which high school to attend because of her crush – talent and career goals be damned. But the most extreme example has to be Mizuki from Hana-Kimi: she moved all the way to Japan, pretended to be a boy and enrolled in an all-boys school just to be near Sano, the high-jumper she’d admired for so long. Sano falls for her cheerful stubborness, but I have a feeling the fact that Mizuki was around him 24/7 didn’t hurt, either. It’s even better if you manage to move in with him like Miki does in Marmalade Boy (although that was her parents fault). It won’t take him too long to decide he loves you, even if he does see you without your make-up on – because having a live-in girlfriend saves time. 
  • Sponge off of him: If you do manage to get into the same school as the object of your affections, chances are the tuition will be so high Donald Trump would weep. Take advantage of the perks of not being in the Top 1 percent by having your guy spoil you! Your guy will be so fascinated by your strange ways (like making bento lunches and taking out the garbage) that every chance he gets he’ll shower you with lavish gifts and vacations, like Tamaki does for Haruhi in Ouran High School Host Club. Of course, you can’t expect or ask him to be your sugar-daddy – when he gives you that necklace that’s worth more than the entire McDonalds franchise, promptly scold him for spending so much money on you. Because then he’ll know you’re not with him for the money, which will make him love you more and he’ll buy you even more stuff. But if you’re as brazen as Ran from Super Gals!, you won’t need to hide your intentions to mooch off your man: Ran has every guy in Shibuya lining up to buy her everything from takoyaki to limited edition watches so they can be her guy, but it’ll take more than that to win her heart. Take notes ladies, take notes.
  • Beat the crap out of him: Guys in shojo manga tend to have girls fawning over them all of the time, so the best way to stand out is to make it clear that you aren’t interested in him at all with a nice slap and he’ll be head-over-heels in no time. The best example of this occurs in Boys Over Flowers, when Tsukushi stands up to rich bully Tsukasa by giving him a hard kick to the face, and it doesn’t take long for him to fall for her. Similarly, in the first volume of B.O.D.Y, when Ryoko finds out Ryunosuke works at a host club and he comes onto her, she gives him a swift punch to the face. This intrigues him so much he decides that he wants to win her heart. Once your guy sees how spunky you are he’ll do anything to make you his – whether you want him or not!
  • Cheating works.

    Cheat on him: What better way to get your man’s attention than to show him he’s got competition? Shojo gals tend to have a spare guy or two interested in them, so they may as well put them to good use! Kotoko does this twice in Itazura na Kiss – she goes on several dates with nice-guy Taketo in places where Naoki can see her in order to make him jealous, and later on in the series when Kotoko believes she’s lost Naoki for good, she decides to accept her hopeless suitor Kin-chan’s marriage proposal, prompting Naoki to confess his feelings for her. Another example occurs in High School Debut volume five – when Haruna tries to hook up her friends Mami and Asaoka, her boyfriend Yoh gets annoyed when Haruna constantly compliments Asaoka, and the two end up in a fight. In order to get Yoh to apologize, Asaoka decides to take Haruna out on a date in the hopes that Yoh will follow them and admit his jealousy (Haruna gets kind of swept up into his plan). After going to dinner and a movie, Asaoka decides to up the ante by telling Haruna she should cheat on Yoh with him and tries to kiss her. This finally lures Yoh out and the two make up, and Haruna begins to realize how much Yoh cares about her. This tactic works so well that not only do you and your guy not need to be an official couple – you don’t even have to cheat on purpose! For example, when Fuji forces a kiss on Ann in Sand Chronicles, her boyfriend Daigo blames himself and the two grow closer. So anytime you find yourself doubting your guy’s love, a little tryst on the side should work wonders.

So there you have it! With these tips in hand, you’ll be able to get the man of your dreams in no time! And if you’re lucky, he’ll be a seemingly mean pretty boy who is sweet only around you and happens to heir to a multibillion dollar company – just like every shojo leading man out there!

*Results not guaranteed. Actually, some of these could land you in jail. Please proceed with caution if you choose to attempt any of these. You have been warned.

Ouran High School Host Club: the Shadow King

Ouran High School Host Club: the Shadow King

After reading and watching shojo series for so many years, I’ve become familiar with which character types I gravitate towards, especially concerning male characters. I tend to love reformed bad boys, from Tsukasa in Boys Over Flowers to Akito in Kodocha and Kurosaki in Dengeki Daisy. Occassionally, I fall for princely-type characters like Tamaki. But liking Kyoya came out of nowhere to me. I tend not to care much for stoic cold guys – I generally find them to be uninteresting or mean, like Soshi in Absolute Boyfriend, so Kyoya becoming one of my favorite characters in Ouran was surprising. I think a lot of my appreciation for his character comes from the fact that he puts on a façade of only caring about himself yet is actually much nicer than he lets on.  A great example is shown in episode 17 of the anime, when Kyoya is left behind by the rest of the host club at a ‘commoners’ expo and runs into Haruhi. Kyoya witnesses a woman who is about to purchase a counterfeit antique, and decides to prove to the woman that the product is fake, then has the shady store owner’s business shut down. When Haruhi compliments him for helping the woman out, Kyoya says that the only reason he helped her out is because she is the wife of a prominent businessman, which he could tell because of the ring she was wearing. However, when Haruhi realizes that there’s no way Kyoya could have seen what ring she was wearing from where he was standing, she asks him why he pretends to be self-motivated when he is actually kind, and Kyoya’s only response is a smile. It was after this episode that I started to warm up to Kyoya, and began to see him as more than just a stereotypical stoic character. The series does an excellent job in making Kyoya sympathetic, as we see him struggle toward achieving his goal of taking over his father’s company with all the odds stacked against him because he is the third in line for the position.

I think the other main reason I love Kyoya is because he provides such a great foil to Tamaki, who is my other favorite character in the series. While Kyoya is logical and self-motivated, Tamaki is impulsive and always concerned with making others happy.  But in actuality, much of Tamaki’s capriciousness is influenced by Kyoya ‘the shadow king,’ such as in one episode where the host club wears Balinese clothes because Kyoya slipped a picture of a Bali setting  (all in order to increase the club’s profits, of course). I love the relationship between the two of them, especially the fact that Tamaki calls Kyoya ‘mommy’ (since he sees himself as Haruhi’s ‘daddy’). Despite the fact that the two are opposites, Kyoya goes along with Tamaki’s whims and cares for him deeply because he realizes that Tamaki is the only person who truly understands him. My favorite episode of Ouran High School Host Club is episode 24, which shows how Kyoya and Tamaki met and eventually establish the host club. Initially, Kyoya tries to befriend Tamaki in a polite yet aloof manner because of his father is the school’s chairman, but he soon gets annoyed with Tamaki’s capriciousness and sees him as a moron. But Kyoya begins to see Tamaki as his first genuine friend and reveals his true (cold) self when Tamaki realizes that Kyoya wants much more than simply being the third son in his father’s business. Thus, Kyoya joins the host club as its manager in order to help him develop skills to surpass his elder brothers. But what Kyoya gains from joining the host club is so much better: true friends who matter more to him than taking over his family business, and help him finally escape the shadow of trying to be ‘the perfect son.’

Everybody loves them…except me: Haruhi

Everybody loves them…except me: Haruhi

Ouran High School Host Club's Haruhi and Tamaki

Everybody loves them…except me is a column where I’ll be discussing characters who are generally well-liked among anime and manga fandom, but I’ve never particularly cared for (and vice-versa).  I’ve noticed that in many series I’ve watched, the character with the biggest fanbase is one that I’m indifferent to, or actively dislike, while characters who are typically hated or ignored don’t bother me much. Haruhi Fujioka, the main female character of Ouran High School Host Club, is often credited as one of the best heroines in a shojo anime and manga. During the show’s run, she often ranked on Newtype‘s Top Ten female character list. Unlike most shojo protagonists, who are whiny, dense, and love-obsessed, Haruhi is sarcastic and often indifferent to the wacky people surrounding her, so she stands out from most shojo heroines. However, when I watched the anime series, Haruhi’s blasé attitude towards everything left me feeling blasé towards her. While I can definitely respect Haruhi from being a different type of shojo heroine, she just doesn’t win me over. It’s not as though I dislike her – it’s just that I don’t find her to be that amazing.

After rewatching the anime series, I realized that in many ways, Haruhi’s actually not that novel of a character. Although she’s uninterested in romance, she’s still just as dense about love as the average shojo heroine. I also found that for the most part, she still functions in the same way as the stereotypical shojo heroine. Because she is surrounded by so many over-the-top characters, I found myself paying attention more to the members of the host club and their intriging backstories than to Haruhi. Thus, even though she does it in a very different way, she still plays the same role as the passive whiny shojo heroine who gets overshadowed by her harem of handsome suitors. If the male cast was changed or taken out of the series, I just don’t think Haruhi could hold up a series by herself (although to be fair, neither could most shojo heroines). I think a major reason why I’m not that amazed by Haruhi is because there are other shojo leads who I find to be far more interesting, such as the feisty Sana from Kodocha and Yukino from His and Her Circumstances. But I do still enjoy watching her interactions with the host club members – especially Tamaki.